On a cool November day, we were pleased to host Corin Mellor and James Lawless, from the David Mellor company.  They made the trip from England, driving up from Boston, to visit our flagship Mill in Quechee to provide some product background about their flatware, and reconnect over lunch with Simon.  Corin is the son of master metalworker, designer & retailer David Mellor. Today, Corin carries on the tradition started by his father as the creative director, and leads the company’s design efforts with new creations, and curation of what they sell in their stores.  Corin, and James Lawless (sales manager), had lunch with Simon and Jay, to hear stories from Simon, of the enduring connection between David Mellor and Simon.  Both went to the Royal College of Art, and both had the same interest in functional and beautiful design. When David Mellor opened his first shop on Sloane Square in London, it was a destination for design and offered Simon’s glasses that he produced in Ireland.  With their connection, Simon also carried David Mellor flatware in his shop. Simon’s penchant for making glass was an influence on David, and they both were part of a maker’s movement that was happening, at the time.

David Mellor was from Sheffield, which was a center for flatware and metal work.  He was first trained as a silversmith, and specialized in metalwork but also designed beyond flatware, pursuing a variety of industrial design opportunities such as home accessories and even street furniture. He was a pioneer of modern design in England, and is famous for his flatware which won numerous design awards with Pride being one of the most highly regarded patterns.

The Paris pattern was created in 1993, and originally intended for the The Silver Trust in England, it is now a highly popular design for us, and has an incredible finish.

Pride is a modern classic and yet has some design cues that originate from Georgian proportioning; a very similar origin to the classic influences on Simon’s first glass designs.  Pride was designed in 1953, and was first created in silver with a bone handle for the knife, but was later redesigned in stainless steel. This beautiful flatware set exudes all the hallmarks of elegant design, with simplicity as the primary characteristic.  Corin explained the progression of making the flatware and how the buffing and finishing requires many steps.

The philosophy behind the Pride pattern is synonymous with what we stand for at Simon Pearce. The flatware pattern compliments the timeless quality of our glassware and dinnerware, and has been with us for decades. While style and tastes come and go, these designs stand the test of time.