Fall Highlights for Celebrating this Season

As the holiday entertaining days approach, Simon Pearce designed a variety of new items to enhance good times with family and friends. With the popularity of the recently launched Shoreham whiskey glass; we extend the unique gesture of its curve into a complimentary decanter and double old-fashioned.  The decanter’s streamlined silhouette is a statement piece for any bar, and feels great in the hand when pouring and serving for celebratory times this season.

A wonderful new entertaining item is the Hampton chiller. Pursuing design concepts that are both functional and beautiful, we brought together hammered stainless steel and our glass to create a stunning combination.  The spherical glass shape can be filled with crushed ice, and the benefit of the 18/10 stainless insert is to keep your wine or champagne bottles chilled without them getting wet sitting in the ice. Separately, the metal component can be used as a tabletop sleeve like a coaster to place a bottle in, while the glass shape can double as an ice bucket or even a vase.

 

Exploring interesting material combinations is a hallmark of our design pursuits.  Expanding on our popular barware category,  we brought together a smooth sculpted wood handle with a stainless steel element to create a few quintessential bar tools.  As a great gift for the home bar user, we created a grey leather/suede pouch to conveniently put the tool set away when not in use. 

As our forest of glass evergreen trees keep growing, we explored other mediums that our unique tree design can be interpreted in.  After sculpting our trees as prototypes to be made out of beeswax which were launched last year as tree candles, we then took the same models to cast the trees in our own pottery.  Two options of glazes are available of a classic white dove, or the reactive green glaze called moss glen that has interesting tonal detail along its edges.  The new pottery evergreens make a great addition to any glass tree forest to create a striking decor statement.

We developed the technique of adding a watery swirl around a glass vessel first on a Waterbury tumbler and then a lamp.  To add a touch of expressiveness and swirl to our wine glass collections, we brought this concept into a classic red and white wine glass shape.  Each Waterbury glass is entirely unique resulting from a small gather of molten glass added on the glass floor while the vessel is being formed.

Our perfectly imperfect form and edge treatment of the Burlington Hurricane shows off the unique characteristics of our glass.  This year, it has been interpreted into two new sizes.  The new small and large sizes combined with the medium are great as a grouping in clusters of all three items on a table, console or mantel.  Perfect for illuminating a holiday table for gathering.

Simon Pearce Summer Photo Shoot

Just before the big tourist rush hit Cape Cod on the Fourth, a group of us made our way to Massachusetts for an on-location shoot for our summer campaigns.

The week was full of long workdays unpacking products, beachcombing for props, scheduling shoots around the tides, and chasing the most beautiful lighting (often quite early in the morning – and with plenty of Beanstock coffee to fuel our efforts) – followed by short-but-sweet evenings sharing grilled pizza and ideas for how to best show our customers how much we love doing what we do.

Together, we came up with new ways to show the beauty of our handmade glass and pottery, in settings that bring forth the strong influence nature has on our designs – like showing the rugged New England spirit of our Bristol Hurricane standing up to the waves of the mighty Atlantic or our Revere Hurricane serving as illumination for the perfect summer view.

And we welcomed our newest colleague into the mix: Victoria (also known as @daisy_roots_ ) who created visuals for our retail stores for over five years, and is now bringing her incredible eye to our digital marketing efforts. We’re thrilled to have her on the team!

We hope you love the images we captured as much as we do – and that they inspire you to enjoy every moment of your summer. Check out the homepage to see our photos in action!

New Designs for Winter Solstice

With Winter Solstice upon us, we take every opportunity to enjoy the wintery wonderland as a source for new inspiration. A steady flow of ideas come from reflecting on this season, taking cues from nature for new evergreen trees, frosty decorative objects, and essentials to gather around the table. We transform what we see and experience into new glass objects to bring home and enjoy everyday. Our handcrafted glass is magical as it starts as a molten material that takes it’s form from the finesse and skill of the master glassblowers.

The organic shaped Burlington Collection’s plates and bowls have unique reactive effects in the glazing that are both casual and elegant. It can be paired with any of our glassware and flatware lines, but here we have it featured with our new Benson Tumbler and Warren Flatware.

The Benson tumbler evolved from the geometric design concept originating with the martini glass and it is universally useful for a variety of occasions. The Spruce tree is now offered in a new mini version that is a great gift or a nice addition to any beloved glass forest. Building upon our natural theme the potters created a great line of marbled clay vessels that are very unique centerpiece bowls and vases called Beachstone.

The new warren flatware is inspired by a teardrop shape, similar to the lamp in our lighting line. The streamlined flatware is 18/10 stainless steel that is cast and forged by skilled craftsman. Partnering with Bertozzi, we created new linen patterns for this winter. Our favorite is the naturally beautiful Ponderosa design with oversized pine needles in both a napkin and a runner. Another new addition is the shape of our classic evergreen trees as a beeswax candle in ivory, red and green. Lastly, a useful item for entertaining is the elemental Soapstone Chiller that can keep you wine cool or double as a mini ice bucket. Consider some of these new additions as part of your holiday celebrations as we officially head into winter.

Through the Eyes of Design Students

Looking back on 2020, we had the pleasure of working with a group of design students from Pratt Institute to interpret our brand and design intent through their eyes.

The collaboration started with conversations with Constantin Boym the chair of the Industrial Design department at Pratt, about how we could continue to build on the relationship between the two organizations. We wanted to focus on exploring the growing connection between product design and the handmade. The next step to getting this started was to partner with Dana D’Amico the professor of the special projects class, to create a design brief. Looking through the lens of the Simon Pearce ethos, the students would investigate form and function that would be appealing to a younger demographic.

Research started before the pandemic early in 2020, and we were able to have the Pratt class leave Brooklyn and make the trip up to Vermont and visit our facilities to learn first hand about our processes for making glass and ceramics.

We gave the students a tour and introduction to the brand at our flagship Mill location, and then visited many of the facilities of our Windsor location for an in depth explanation of how we make things. Matt McFarland and Neil Cockwill gave insights into our unique processes, and requirements to make an object into something we can produce. This input is crucial for students to understand in order to resolve a design concept so it can be made by master glassblowers or potters. Over the many months that followed, we transitioned the classroom to working virtually online with video conferencing.

The students had to quickly adapting to working from home, and were extremely resourceful with continuing to experiment with concepts off campus. As we did our virtual review of the class progress, the students revealed many very poetic refections on the natural landscape and rituals of use. This exploration lead to some very creative vessel concepts for glass and ceramics that they could see incorporating into their lives.

“These students really worked hard through a challenging semester and were very excited to share their work”, a quote from Dana. The concepts were refined into a final presentation that would be reviewed by a panel of judges.

In addition to Dana and myself, we were fortunate to have an amazing panel formed from New York museums. We were joined by Yao-Fen You, Senior Curator + Head of Product Design and Decorative Arts at the Cooper Hewitt Smithsonian Design Museum, and Elizabeth St. George, Curator at the Brooklyn Museum. With the virtual final review, each student gave a concise overview of their semester work. After much consideration, the panel selected the work of Stephanie Chen for her nicely resolved reference to ice formations at the Mill in connection with the rise in whiskey+bourbon drinking.

Stephanie’s study of the waterfall influenced the tactile experience of the glass in the hand, and considering amber drinks like whiskey all played into how this concept came together.

We were delighted to see all the students hard work pushed through these very thoughtful concepts and look forward to future collaborations. We love to explore concepts for the home and build relationships with students. To further delve into exploring this potential we provide internships over the summer months so students can be engaged with all elements of creating and developing new products.

Time to Reflect on Design

Travel Notes from Paris

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Every September, the European home design industry returns from their summer break in August to present the best of their new creations at the International Maison Objet show in Paris.  The market is focused on home decor, interior design, and lifestyle concepts, with a very inspiring combination of innovation and new talent throughout the halls.

Simon, Jay and I traveled across the Atlantic to walk the market, meet with some of our partners,  and find new resources or makers we can potentially work with on products. The show also gives an opportunity to spend time discussing, brainstorming and sketching out our approach to design for the next season.  We debate over what can be integrated into our product categories, what new ideas we can bring into existing collections, and where we could layer on new decor concepts.

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“The market gives you a perspective on what is happening in the world with design, and home furnishings, and we distill what makes sense for our line, whether we are buying or designing”, says Simon.  Maison Objet also gives us a sense of what direction glass is heading in, and in a world with the majority of the glass being machine made, we find we are well differentiated with the ‘hand’ being the core value of what we do. We further defined our design mission while traveling. We monitor what is happening in the market but take a great deal of  inspiration from nature, and we blend that with our humanistic approach to design and making things. To capture the essence of our designs, we use a reductive approach of taking away that which isn’t needed to arrive at refined simplicity. The intent of the designs is to amplify the handmade aspect of our products, resulting in objects that are a joy to live with at home.   

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One takeaway from the show was a growing interest in the handmade with small batch production, and a traceability story about the materials.  We found a few other European glass makers, that Simon truly enjoyed talking with, from building furnaces to raw materials used. Glass has also become quite pervasive, as a material of choice for designers.  

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During the market, all across Paris, the whole city was celebrating ‘Design Week’, with interior design events and companies launching their latest products in their retail outposts. 

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We had the opportunity to meet with our Italian linen partners, Bertozzi, and reviewed several new designs that they worked on with us, and also some new offerings they created.  Their hand block printed patterns are one of Simon’s favorites. While travelling through Morocco Simon discovered Bertozzi linens at one of the hotels he was staying at. When Simon returned from the trip, we pursued the company and since developed a great partnership with them as they have a similar ethos, with the handmade approach to their products.  

New concepts from the trip will appear in our Fall Holiday season of 2020.

Beachstone Pottery

Earthy poetic in form & technique

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Artistry, concentration, and the hand all contribute to the remarkable objects we turn out at our pottery workshop everyday. The challenge of building things from the ground up, with earthy clay takes a blend of virtuosity, muscle memory and a keen eye to what looks balanced and well proportioned.

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Our latest artistic creation from the pottery is our Beachstone collection.  The inspiration comes from the natural elements here in Vermont.  Along the shore of Lake Champlain, particularity in the area of Shelburne farms, there are beach stones and rock formations that are made of 450-million-year-old, Iberville Shale.

The stones have beautiful graphic striations and veins of the mineral calcite, that inspired the sedimentary effects we wanted to capture in our clay.  By experimenting with different colors  of clay pushed together; we created the effect we wanted to achieve.

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Jeff, our master potter, has a great deal of experience with unique techniques and has perfected marbling the clay and throwing forms on the Potter’s wheel that reveal the graphic striated layers of clay.

Links to: Round Vase / Classic Vase / Bowl

See how it’s done below.

Handcrafted Home Fragrance

Add a New Dimension with Handcrafted Scents for the Home

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Simon Pearce glass is known for its clarity.  A captivating and lyrical quality of flickering light is created when a candle burns in one of our Silver Lake pieces. The Silver Lake glass texture we created is reminiscent of the reflection of birch trees that surround Silver Lake, not far from our Vermont glass blowing studio. With our home fragrance line, we offer a new way to experience Simon Pearce in your home, with scents curated to reflect a simple and pure approach, in line with our design aesthetic.

When creating the scents, we were inspired by the vast and dense Evergreens in the surrounding forests, the freshly mowed fields that we pass on the way to the glassblowing studio, and the gorgeous Peonies that bloom in Simon and Pia’s garden each Spring.

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Our Scented candles and diffusers use the same durable and beautiful handcrafted vessels as our other products, which makes our home fragrance program unique.

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The Limited Edition ceramic vessels are glazed in unique colors for each season. Made with our porcelaneous stoneware (stoneware containing porcelain ingredients), they are strong, long lasting and reusable as mugs, vases, storage vessels, a pot for your small plant, or a votive candle holder. Available in our retail stores.

The diffuser vessel is a hand blown organic shape we love and fill with a blend of essential oils and all natural fragrance. The fragrance is absorbed through rattan reeds, and the essential oils slowly release the fragrance over time.

One bottle of diffuser oil can last between six months to a year, after which, you could purchase replacement oil, or use the vessel as a vase. 

Available in the scents: Coast, Peony Blossom, Tranquility, and Evergreen.

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Every aspect of these candles and diffusers is carefully considered. From the hand made vessel, soy grown in the USA, to the lead free cotton wicks, the small batch production and the packaging, which makes our scented candles or diffusers the perfect gift.

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Try our current scents:

EVERGREEN: Spruce, fir needles, balsam, citrus

COAST: Ocean mist, briny kelp, fresh citrus 

PEONY BLOSSOM: Oriental blooms, green stems, rose musk

TRANQUILITY: Herbal patchouli, vanilla, lime

PRAIRIE: Cut grass, hay, lavender

Spring Tablescapes

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As days grow longer and dappled sunlight casts its playful shadows through our windows, we set our tables with Burlington Cloud dinnerware and exclusive Watercolor Floral print table linens (napkin, runner, tablecloth).

From Spring holiday tables to Mother’s Day brunch and all the casual family weekend lunches in between, the wavy and organic silhouette of the Burlington dinnerware melds with natural elements for the table, while the versatile floral print linens can be styled with cool or warm toned floral and centerpiece accents*.

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*It should be noted that linen is the ideal sustainable fabric. Far less water and pesticides are used to grow flax, from which linen is woven, and no parts of the flax plant are wasted (also yielding linseed oil, twines and ropes)

The “must have” new hand blown glass star of our Spring tablescape is the Addison Basket. Fill it with eggs or a May Day plant and offer it as a hostess gift, or set multiples down your table for a festive centerpiece. This year we are offering hand carved marble eggs as well, to fill the basket with, or to lay along your tablescape.

Two new light and fanciful elements for the Spring table are Horn Handled flatware and a napkin folded “nest”.  The flatware is crafted in France. The horn pattern (made from acrylic) is hand finished and each piece of the set has a unique and gorgeous design.  We fashioned the napkin “nest” by rolling and coiling our napkin just so, to cradle a marble or real egg .*

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*We’ve used the iconic blue egg from the Araucana chickens, that we hunt down at local markets here in Vermont, but you could paint a wood egg as well.

The finishing glass touches to our Spring table begin with Woodstock tumblers. We love our small tumblers with the rounded silhouettes because they can work as stemless wine tumblers, cocktail glasses, or a simple water glass. This Woodstock (and that of the Apprentice glass) silhouette is fuller, shorter, and more casual, while the elegant Hampton Stemless Tumbler, with its thinner and slightly tapered, taller shape, offers a more refined option.

Our favorite new candlelight option is the Bristol Small Hurricane with its lower profile and angular shape. It brings a modern and fresh element to the table.

As Spring progresses and the peonies blossom, consider adding our new Engraved Floral Addison Vase, engraved with spring blossoms, to your spring table or windowsill. The engraved design adds texture and the tapered opening holds delicate blossoms or greenery alike. It is fast becoming a Spring favorite of our customers.

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For fuller and larger Spring gatherings, consider adding these three customer favorites:

Holiday Decorating

Hygge Holiday 

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At Simon Pearce we are embracing the Swedish lifestyle of Hygge (“hoo-gah”) by creating warm and cozy moments where our handcrafted glass and pottery are at the center. Styling our extra large hurricanes with multiple candles and some seasonal fill such as pine cones, sugar (as snow) or bits of nature we gather creates a centerpiece for a hygge atmosphere where candlelight is central.  We include Crystalline teardrop vases in candent with our alabaster and selenite votive holders, and we have the perfect mix of subtle and soft textures and colors.

Holiday Centerpiece

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Create a centerpiece with our new Echo Lake Bowl. With the same light reflecting qualities that inspired our Echo Lake Hurricanes, the texture of this bowl can either illuminate or subtly reflect the contents of the centerpiece. 

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Here we show natural elements on their own and illuminated by string lights, as well as cranberries floating in water, illuminated by our floating candles. The shape of the bowl also makes it a natural for serving trifle desserts or other holiday food you wish to highlight.

Small Touches 

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Some of the finest details can make the most memorable moments for friends and family over the holidays. In our stores, the customers’ faces light up when they see our 1” glass ice cubes wrapped like presents with ⅛” red ribbon and placed around our glass Christmas trees. Groupings can adorn the table or mantle in this way.

Recently, we added a place card holder, created from our ice cube molds. Try wrapping the cardholder with red ribbon around the sides and add a name card for each place setting, or simply wrap a cube for each guest, or both!

Crystalline Ornaments

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The allure of our subtly textured crystalline inspired our potters to try the mysterious glaze techniques on something our customers love, ornaments. The small round porcelain shape our potters create has the perfect contour for the glaze crystals because it is all about timing and shape with our crystalline glaze. As the ornaments are slowly cooled, and then held at a certain temperature, the liquid glaze becomes more like molasses. Only certain components of the glaze move around within the liquid and form crystals, their size determined by the amount of time they remain in this state. It is the magic and unpredictability of this process that creates the beautiful surface of our crystalline.

Holiday Floral

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The Silver Lake Bowl has a wonderful icy texture that hides the stems of beautiful greenery and florals that you might gather outside your home. What we love about this bowl is how it makes floral arranging for the holidays so simple. Skip the florist, in favor of gathering greens and berries left on branches, while you walk the dog, or stroll with a friend, then bring them inside and arrange with ease, as the tapered base holds the stems in place for you. Flower arranging, Vermont style.

Illuminate the Holidays

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Our LED bases have illuminated our glass evergreens for years, but more recently we are enamored with silver strands of tiny LED lights. A 30 ft. plug in strand with a blank leader works well for creating mantle and centerpiece displays or to decorate your Christmas tree. The shorter 15 ft. strand has a battery pack for use in other, more precarious situations, such as inside one of our hurricanes in place of a candle, for coffee table vignettes or even around place settings at a holiday table, with the battery pack hidden under a table runner. It’s even possible to use these strands to adorn branches with hanging glass ornaments over your dining table for the ultimate holiday atmosphere.

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Elegant Designs & Enduring Connections

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From Left to Right: Jay Benson, James Lawless, Corin Mellor, & Simon Pearce

On a cool November day, we were pleased to host Corin Mellor and James Lawless, from the David Mellor company.  They made the trip from England, driving up from Boston, to visit our flagship Mill in Quechee to provide some product background about their flatware, and reconnect over lunch with Simon.  Corin is the son of master metalworker, designer & retailer David Mellor. Today, Corin carries on the tradition started by his father as the creative director, and leads the company’s design efforts with new creations, and curation of what they sell in their stores.  Corin, and James Lawless (sales manager), had lunch with Simon and Jay, to hear stories from Simon, of the enduring connection between David Mellor and Simon.  Both went to the Royal College of Art, and both had the same interest in functional and beautiful design. When David Mellor opened his first shop on Sloane Square in London, it was a destination for design and offered Simon’s glasses that he produced in Ireland.  With their connection, Simon also carried David Mellor flatware in his shop. Simon’s penchant for making glass was an influence on David, and they both were part of a maker’s movement that was happening, at the time.

 

David Mellor was from Sheffield, which was a center for flatware and metal work.  He was first trained as a silversmith, and specialized in metalwork but also designed beyond flatware, pursuing a variety of industrial design opportunities such as home accessories and even street furniture. He was a pioneer of modern design in England, and is famous for his flatware which won numerous design awards with Pride being one of the most highly regarded patterns.

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Paris 5-Piece Flatware Setting

The Paris pattern was created in 1993, and originally intended for the The Silver Trust in England, it is now a highly popular design for us, and has an incredible finish.

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Pride 5-Piece Flatware Setting

Pride is a modern classic and yet has some design cues that originate from Georgian proportioning; a very similar origin to the classic influences on Simon’s first glass designs.  Pride was designed in 1953, and was first created in silver with a bone handle for the knife, but was later redesigned in stainless steel. This beautiful flatware set exudes all the hallmarks of elegant design, with simplicity as the primary characteristic.  Corin explained the progression of making the flatware and how the buffing and finishing requires many steps.

 

The philosophy behind the Pride pattern is synonymous with what we stand for at Simon Pearce. The flatware pattern compliments the timeless quality of our glassware and dinnerware, and has been with us for decades. While style and tastes come and go, these designs stand the test of time.