The all-new sculpted glass dog is close to the heart of many of us here at Simon Pearce. Dogs are intelligent, loyal companions that are with us through thick and thin. They are treated like a member of the family, and a few of us bring our dogs to work, which adds another dimension to the workplace. To commemorate this special relationship, we set out to create the ideal interpretation of the quintessential dog that relates to our methods of making glass. The design started with some sketches, and we had a Labrador Retriever pose as our model. After several drawings and iterations in clay, we landed on the character we wanted to capture in glass. The final design stays true to our ethos of beauty and simplicity.
With 2018 being the ‘year of the dog’ (according to the Chinese Zodiac); we couldn’t think of a better time to start crafting these in our hot-shop, and make them available for the glass enthusiast. Our brilliant glass shows off the exquisite surfaces and contours of the shape.
The iconic glass dog is a joy to have and to hold.
As the weather turns warmer, and we look for ways to stay cool, sipping chilled drinks can do the trick. Ice is the usual cooling element, but if you don’t want to water down your drink we propose using frozen soapstone, paired with our handcrafted glass as an optimal way for tasting drinks, particularly bourbon.
With the popularity of our Ludlow collection, we thought the soapstone could take the place of the wood, and once we tested some samples of this new combination we were delighted to find the stone truly chilled the glass. Take it from the freezer, and it can cool your drink in about 8-10 minutes, and conversely, can be used for warming drinks as well.
Throughout New England, soapstone is a common material found on kitchen counter-tops, which are known for their durability, smooth touch, and low porosity. This ancient natural stone, is the result of volcanic geological formations from long ago. It’s most notable properties are that it can stay cold or hot for a long time. The material is very unique for its workable characteristics, and can be sculpted as the Inuit would, and also made it into a variety of functional designs. We named it Alpine after the northern ridges we have here in Vermont and New England.
Experience how this unique stone can chill your drink as it cradles the glass.
An eye-catching beacon in our retail locations, by popular demand, Simon Pearce now offers the Vine Chandelier for the home.
Design of the chandelier was inspired by clusters of grapes growing from vines in the South of France.
Head of Design & Product Development James Murray collaborated with Hubbardton Forge to create the now-iconic chandelier silhouette that lights the Simon Pearce Bar at
Quechee and our Portland location.
In partnership with the Modern American Blacksmiths of nearby Hubbardton Forge,
this handcrafted light fixture is designed to illuminate your dining table, kitchen island
or entryway in beautiful hand-forged metal and handblown glass.
Each glass globe is handcrafted by our master glassblowers, thus creating a truly unique and one-of-a-kind piece.
Every holiday season, the design team presents new ways to entertain family and friends, around the table. Set a striking tablescape using our glass evergreen trees, down the center of the table with an expression of lightness.
Our intention is the make the highest quality artifacts of glass and pottery, to be enjoyed for years to come. We have a vibrant team of highly skilled craftsmen whose talents bring life to our fine products everyday.
At the heart of our mission, we want to inspire and delight everyone, with new additions to our holiday decor; this year we have several new ornaments to add to any collection.
Our design intention is to blend functional geometric pieces with art-glass techniques to create a diverse collection. The character of the pendants changes a great deal with the choice of light-bulb – they can appear moody, elegant, or bright, depending on what the customer desires.
Pendants work in a variety of interior settings and also encourage the customer to be creative, such as in building groupings or clusters of them. The modularity of the simple designs allows for repetitive compositions.
Simon Pearce introduced pendants to the market as another avenue for customers to experience our glass, and by combining them with our lamps, we consider ourselves a destination for lighting and a resource for interior designers, architects, and the discerning homeowner who may be building or remodeling.
Looking at the lighting assortment, the Warren lamps add a simple, modern, voluminous form to the overall line. The Warren silhouette is now available in both glass and ceramic.
Upon, studying the water flowing over the waterfall at the mill and the ice that forms in the winter, we came up with these natural textures to capture in glass.
The glass blowers use fine strands of molten glass that are quickly wrapped around these cylindrical shapes to create a watery and icy effect.
As a beautiful series of winter hurricanes, the candlelight glows through the finer wrap texture in a way that is visually stunning.
We started with initial drawings but also worked closely with the glassblowing team, to arrive at the optimal amount of textural coverage. Each vessel turns out unique, and we embrace the irregularity that comes from the process of making them.
Perfectly, imperfect is a key characteristic of Echo Lake, and a hallmark of our ethos.
They remain a true reflection of the design influences that surround us in our beautiful Vermont setting. Our crystal clear glass formula along with the hand-tooled forms capture the magic of a tree as if it were made of ice.
They create conversation and certainly stimulates the imagination. No two are alike. As with trees in the natural world, the subtle differences give them a unique personality.
It’s desirable to have them in groups which might inspire years of collecting and growing a forest. We refer to them as “investment” pieces that can be used and reused every year as seasonal decor items, as well as the fact that they can stay out all year long.
A new textural addition to any forest is the Snowy Branch Evergreens which are lightly dusted in white powder on the branches. This gives the impression of freshly fallen snow on our iconic trees. Enjoy the season!
The Bristol Collection originates from studying the “Golden Section” Proportions found in nature. Yet, no matter how refined the design or how forward-looking the concept, hand-crafting is required.
For the Bristol Collection, James Murray, Simon Pearce’s VP of Design, began with ideas for a flute and a tumbler that he carefully rendered on paper. After making numerous revisions, the process of manufacturing began, which required blowing, shaping, sculpting, cutting, trimming, molding, and cooling in our workshops, of Vermont and Maryland.
“For the Bristol Collection, we use old-world techniques and real, basic tools to make something that is decidedly modern,” says James.
Bristol Flute & Tumbler Sketch
Bristol Caviar Sketch
Visitors to our workshops can witness the process.
In a Parisian pottery factory of the late 1800’s, two chemists made a mistake, causing colorful glaze crystals to form on the outside of their pots. The results were, at once, striking and hard to control. The potters at Simon Pearce have revisited this technique to create one of a kind, decorative vessels.
The time intensive and expensive process fell out of favor with the large pottery factories, but in the 1920’s, a resurgence in the production of this glaze technique occurred (due to independent potters setting up their own studios and producing pottery separate from large production).
Matt McFarland developed the glazes and the technique to allow the glazes to run down the entire ceramic form. The crystals are formed by a combination of added ingredients (mostly zinc oxide and silica) to float around on the glaze and cool slowly. The size of the crystals is determined by how long the minerals remain on the molasses-like glaze before it drops in temperature.
Only some shapes will adequately “hold” this type of glaze. The shape needs to orient itself in a way so, when the glaze is applied to the top rim of the vessel, the crystals form at the desired place on the piece. For this reason, many of the vessels are bulbous (that Mike Trempe throws), with a very narrow neck. Historically, this is known to create the most dramatic and aesthetically pleasing results.
Matt McFarland was instrumental in the first full line of crystalline products being launched at Simon Pearce, in the Spring of 2014. The introduction of these pieces brought a sparkle of color into the company owned stores. Today, the Simon Pearce crystalline assortment includes over a dozen different shapes in five different colors.
The story of crystalline is the story of how research into the history of the medium can inspire masters to create a new standard of excellence.