Spring Tablescapes

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As days grow longer and dappled sunlight casts its playful shadows through our windows, we set our tables with Burlington Cloud dinnerware and exclusive Watercolor Floral print table linens (napkin, runner, tablecloth).

From Spring holiday tables to Mother’s Day brunch and all the casual family weekend lunches in between, the wavy and organic silhouette of the Burlington dinnerware melds with natural elements for the table, while the versatile floral print linens can be styled with cool or warm toned floral and centerpiece accents*.

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*It should be noted that linen is the ideal sustainable fabric. Far less water and pesticides are used to grow flax, from which linen is woven, and no parts of the flax plant are wasted (also yielding linseed oil, twines and ropes)

The “must have” new hand blown glass star of our Spring tablescape is the Addison Basket. Fill it with eggs or a May Day plant and offer it as a hostess gift, or set multiples down your table for a festive centerpiece. This year we are offering hand carved marble eggs as well, to fill the basket with, or to lay along your tablescape.

Two new light and fanciful elements for the Spring table are Horn Handled flatware and a napkin folded “nest”.  The flatware is crafted in France. The horn pattern (made from acrylic) is hand finished and each piece of the set has a unique and gorgeous design.  We fashioned the napkin “nest” by rolling and coiling our napkin just so, to cradle a marble or real egg .*

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*We’ve used the iconic blue egg from the Araucana chickens, that we hunt down at local markets here in Vermont, but you could paint a wood egg as well.

The finishing glass touches to our Spring table begin with Woodstock tumblers. We love our small tumblers with the rounded silhouettes because they can work as stemless wine tumblers, cocktail glasses, or a simple water glass. This Woodstock (and that of the Apprentice glass) silhouette is fuller, shorter, and more casual, while the elegant Hampton Stemless Tumbler, with its thinner and slightly tapered, taller shape, offers a more refined option.

Our favorite new candlelight option is the Bristol Small Hurricane with its lower profile and angular shape. It brings a modern and fresh element to the table.

As Spring progresses and the peonies blossom, consider adding our new Engraved Floral Addison Vase, engraved with spring blossoms, to your spring table or windowsill. The engraved design adds texture and the tapered opening holds delicate blossoms or greenery alike. It is fast becoming a Spring favorite of our customers.

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For fuller and larger Spring gatherings, consider adding these three customer favorites:

The Waterbury Collection

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In design, we continue to be inspired by the natural surroundings here in Vermont. The immersion in Nature easily influences our perspective on developing objects, as the natural elements are filled with interesting forms, textures and colors.  When we consider a new glass line, we strive to capture the artistry that comes from the handmade formation of glass, and the impressions that Nature makes on us.  Fluid and malleable glass is almost unlimited in the possibilities of what can be achieved, and we impose our ideas and reflections on it.

While hiking the Waterbury Trail, we happened upon a small waterfall, and were stuck by how the element of water is always a delight for sense of sight, sound and touch. We also ventured to nearby Moss Glenn Falls for a more dramatic experience.  We  wanted to capture the essence of water flowing and the swirling textures that occur in a new glass.  We started R&D of the glasses based on sketches, but looked to the glassblowers to turn out each glass with a unique interpretation of the watery impression.  Each glass captures a moment in time, with an artistic gesture.

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The collection started with a tumbler, and then we scaled the same design up to a hurricane shape, which looks incredible with candlelight going through the swirling effects.

To compliment the tumbler, we created a carafe with a simple elegant form that lends itself to the layering process of gathers to create optic effects.

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Thinking about lighting, and the interaction with gathered glass effects, Simon created the Waterbury lamp in two sizes, to compliment the collection.  As the glassblowers work with these voluminous shapes, the layered effects of the double-gathered glass give a feeling of water movement that is visually stunning.  The lamps come to life when you see the light going through the glass, much like the dynamic impression from the streams and waterfalls of Vermont.

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The Bristol Collection

 

The Bristol Collection originates from studying the “Golden Section” Proportions found in nature. Yet, no matter how refined the design or how forward-looking the concept, hand-crafting is required.

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For the Bristol Collection, James Murray, Simon Pearce’s VP of Design, began with ideas for a flute and a tumbler that he carefully rendered on paper. After making numerous revisions, the process of manufacturing began, which required blowing, shaping, sculpting, cutting, trimming, molding, and cooling in our workshops, of Vermont and Maryland.

 

“For the Bristol Collection, we use old-world techniques and real, basic tools to make something that is decidedly modern,” says James.

 

Visitors to our workshops can witness the process.