Our design intention is to blend functional geometric pieces with art-glass techniques to create a diverse collection. The character of the pendants changes a great deal with the choice of light-bulb – they can appear moody, elegant, or bright, depending on what the customer desires.
Pendants work in a variety of interior settings and also encourage the customer to be creative, such as in building groupings or clusters of them. The modularity of the simple designs allows for repetitive compositions.
Simon Pearce introduced pendants to the market as another avenue for customers to experience our glass, and by combining them with our lamps, we consider ourselves a destination for lighting and a resource for interior designers, architects, and the discerning homeowner who may be building or remodeling.
Looking at the lighting assortment, the Warren lamps add a simple, modern, voluminous form to the overall line. The Warren silhouette is now available in both glass and ceramic.
Upon, studying the water flowing over the waterfall at the mill and the ice that forms in the winter, we came up with these natural textures to capture in glass.
The glass blowers use fine strands of molten glass that are quickly wrapped around these cylindrical shapes to create a watery and icy effect.
As a beautiful series of winter hurricanes, the candlelight glows through the finer wrap texture in a way that is visually stunning.
We started with initial drawings but also worked closely with the glassblowing team, to arrive at the optimal amount of textural coverage. Each vessel turns out unique, and we embrace the irregularity that comes from the process of making them.
Perfectly, imperfect is a key characteristic of Echo Lake, and a hallmark of our ethos.
They remain a true reflection of the design influences that surround us in our beautiful Vermont setting. Our crystal clear glass formula along with the hand-tooled forms capture the magic of a tree as if it were made of ice.
They create conversation and certainly stimulates the imagination. No two are alike. As with trees in the natural world, the subtle differences give them a unique personality.
It’s desirable to have them in groups which might inspire years of collecting and growing a forest. We refer to them as “investment” pieces that can be used and reused every year as seasonal decor items, as well as the fact that they can stay out all year long.
A new textural addition to any forest is the Snowy Branch Evergreens which are lightly dusted in white powder on the branches. This gives the impression of freshly fallen snow on our iconic trees. Enjoy the season!
The Bristol Collection originates from studying the “Golden Section” Proportions found in nature. Yet, no matter how refined the design or how forward-looking the concept, hand-crafting is required.
For the Bristol Collection, James Murray, Simon Pearce’s VP of Design, began with ideas for a flute and a tumbler that he carefully rendered on paper. After making numerous revisions, the process of manufacturing began, which required blowing, shaping, sculpting, cutting, trimming, molding, and cooling in our workshops, of Vermont and Maryland.
“For the Bristol Collection, we use old-world techniques and real, basic tools to make something that is decidedly modern,” says James.
Bristol Flute & Tumbler Sketch
Bristol Caviar Sketch
Visitors to our workshops can witness the process.
In a Parisian pottery factory of the late 1800’s, two chemists made a mistake, causing colorful glaze crystals to form on the outside of their pots. The results were, at once, striking and hard to control. The potters at Simon Pearce have revisited this technique to create one of a kind, decorative vessels.
The time intensive and expensive process fell out of favor with the large pottery factories, but in the 1920’s, a resurgence in the production of this glaze technique occurred (due to independent potters setting up their own studios and producing pottery separate from large production).
Matt McFarland developed the glazes and the technique to allow the glazes to run down the entire ceramic form. The crystals are formed by a combination of added ingredients (mostly zinc oxide and silica) to float around on the glaze and cool slowly. The size of the crystals is determined by how long the minerals remain on the molasses-like glaze before it drops in temperature.
Only some shapes will adequately “hold” this type of glaze. The shape needs to orient itself in a way so, when the glaze is applied to the top rim of the vessel, the crystals form at the desired place on the piece. For this reason, many of the vessels are bulbous (that Mike Trempe throws), with a very narrow neck. Historically, this is known to create the most dramatic and aesthetically pleasing results.
Matt McFarland was instrumental in the first full line of crystalline products being launched at Simon Pearce, in the Spring of 2014. The introduction of these pieces brought a sparkle of color into the company owned stores. Today, the Simon Pearce crystalline assortment includes over a dozen different shapes in five different colors.
The story of crystalline is the story of how research into the history of the medium can inspire masters to create a new standard of excellence.
The Simon Pearce PURE Collection evolved from our artistic objects that are produced against the chance of failure, where the risk in making unique vessels becomes an expression of virtuosity, something alive and happening in the moment of creation.
The contemporary design and fine craftsmanship inherent in PURE forms are appreciated by discerning connoisseurs and customers looking for one-of-a-kind gifts.
PURE is the vehicle for ongoing experimentation and the way in which the artisan can push the materials to express new forms and sublime textures. The same artisans who make our core glass and pottery products also make PURE vessels, which underscores the talent within our teams for stretching beyond our current production capabilities and discovering new ideas that come out of the process.
Each design in the PURE Collection is more than its aesthetic creation; it is a way to explore new forms and ways of making. Each piece captures a special moment of perfection with an uniqueness that can only be made with the human hand.
Functionality and beauty have always been the core criteria of Simon’s design philosophy. The Belmont collection has stood the test of time, celebrating its 25th anniversary this year. It is a unique style of dinnerware that bridges the gap between a classic and causal aesthetic, that remains true to our brand heritage.
It’s origins are from a passion for hand thrown pottery. A blend of earthy materials and old world process that are also known for their durability. The central swirl motif on the plates accentuates the centrifugal movement of how the pieces are thrown on the wheel.
Crackle glazes are enjoying a resurgence of interest, particularly with younger customers that appreciate handcrafted excellence, and want to personalize their tabletop with a mix and match of pottery. Belmont comes in two crackle finishes, ivory and celadon, that work great together when layered in a place-setting.
Commemorating the 25th anniversary, we launched a new Centerpiece Bowl magnificently scaled as both a functional and decorative piece. The voluminous bowls express the simple richness of the Belmont pottery.