The simplicity of the Woodbury line, finds it hallmark characteristics in the pursuit of trying to produce an object that is geometric, yet handmade. The brilliant glass of the original Woodbury vase appear to be rectangular but have soft surface changes and a gentle radius that forms at the rim.
Simon started the vase design back in 1990, and it has proved to be a favorite, and is an icon within our collection. The original intent of the Woodbury line was to form squares and rectangles in glass that bring some beauty and pragmatism to everyday life. On the glassblowing floor, while making these items he discovered that the glass flows in it’s own way to form more humanistic surfaces and curves.
Blog post on the full Woodbury glass line here.
In our design studio, we explore ways to continue these concepts of working with geometry and organic soft execution in glass. While experimenting with ways to re-interpret the rectangular vase, we did some bristol paper models, creasing the center, and adding water to it to soften the paper in the center to form a twist. The result was intriguing, and so some renderings of the idea followed to further investigate what the effect could be.
We thought this had potential and brought the concept to the glassblowers, who then spent some time trying to capture the nuances of this idea. They ultimately found that heating the center with a torch made the vessel more malleable and they were able to achieve a light gestural twist effect that we loved.
A visual benefit of the fluid twist in the vase, is that it obscures the stems and branches of flowers, while marrying nicely with the artistry of arranging flowers.
Find the Woodbury Twist vase in the website store here.