Pour 11/2 oz Silo Cacao, 1 oz Dark Creme de Cacao, and 2 oz Eggnog into shaker with ice.
Pour into a Ascutney Glass Mug.
Garnish with a dusting of ground nutmeg or cocoa.
Frosty mornings in Vermont inspire us to create table settings for the Holidays with natural elements. In this table setting, we create a lavish setting by combining our beautiful new Burlington dinnerware and redesigned Stratton stemware with botanical elements and a sophisticated color palette of silver and white.
The elegant swirling pattern of the Stratton stem and the organic shape of the Burlington dinnerware make for an ethereal pairing. The stemware swirls take on a natural vine like appearance, and the cloud colored, irregular surface of the dinnerware adds a warmth to the sophisticated tones of silver and white.
Beneath the cloud colored dinnerware, we layer our Eucalyptus Runner, in white linen with a silver print. The artist screenprints these runners by hand in a color mix exclusive for Simon Pearce. I love the look of this runner on its own, down the center of the table, but you can also layer it with our Stonewashed tablecloths in Silver or White, and nothing is stopping you from placing multiple runners across the table under the place settings, as shown above. We’ve paired the runner with our silver and white stonewashed napkins in these shots, but the Eucalyptus print napkin is subtle enough to pair with the print runner as well.
Stainless adds the final pop to this tablescape, in the form of hammered Simon Pearce napkin rings and mirror polished Georg Jensen serveware, all available online and in our retail stores. We are excited to offer Georg Jensen designs for purchase for the first time. The modern and timeless designs are a favorite of Simon’s.
Finally, we’ve shown our newest hurricane, the Echo Lake on the table for the ultimate candlelight experience. You could opt to use the Echo Lake hurricane for floral, and add in Georg Jensen Cobra candlesticks. It is the versatility of our product and the mix of materials that makes Simon Pearce tablescapes come alive. Cheers !
Our design intention is to blend functional geometric pieces with art-glass techniques to create a diverse collection. The character of the pendants changes a great deal with the choice of light-bulb – they can appear moody, elegant, or bright, depending on what the customer desires.
Pendants work in a variety of interior settings and also encourage the customer to be creative, such as in building groupings or clusters of them. The modularity of the simple designs allows for repetitive compositions.
Simon Pearce introduced pendants to the market as another avenue for customers to experience our glass, and by combining them with our lamps, we consider ourselves a destination for lighting and a resource for interior designers, architects, and the discerning homeowner who may be building or remodeling.
Looking at the lighting assortment, the Warren lamps add a simple, modern, voluminous form to the overall line. The Warren silhouette is now available in both glass and ceramic.
This Thanksgiving we set a table where luxurious solid linens and flora and fauna of the region set a backdrop for textural dinnerware and candlelight.
Our new Echo Lake Hurricanes create a harvest centerpiece. Strands of glass wrap around the hurricane, reflecting candlelight with a romantic flicker, while pears, rosemary and Amaranth flowers are intertwined.
Place settings are set with our milky glazed Burlington dinnerware, rustic Woodbury Graphite flatware and Woodstock Red Wine glasses. Finally, solid washed linen napkins in a warm “Ashes of Roses” color, play off similar tones in the Amaranth and Red Anjou pears.
The table could also be set with the Moss glazed Burlington dinnerware, and the solid linens come in several warm and cool tones to choose from. Either way, simple elements mixed with the festive hurricanes create a warm and luxurious table around which to gather.
Upon, studying the water flowing over the waterfall at the mill and the ice that forms in the winter, we came up with these natural textures to capture in glass.
The glass blowers use fine strands of molten glass that are quickly wrapped around these cylindrical shapes to create a watery and icy effect.
As a beautiful series of winter hurricanes, the candlelight glows through the finer wrap texture in a way that is visually stunning.
We started with initial drawings but also worked closely with the glassblowing team, to arrive at the optimal amount of textural coverage. Each vessel turns out unique, and we embrace the irregularity that comes from the process of making them.
Perfectly, imperfect is a key characteristic of Echo Lake, and a hallmark of our ethos.
The Simon Pearce Vermont Evergreens have become iconic symbols that truly emphasize our brand originality and authenticity.
They remain a true reflection of the design influences that surround us in our beautiful Vermont setting. Our crystal clear glass formula along with the hand-tooled forms capture the magic of a tree as if it were made of ice.
They create conversation and certainly stimulates the imagination. No two are alike. As with trees in the natural world, the subtle differences give them a unique personality.
It’s desirable to have them in groups which might inspire years of collecting and growing a forest. We refer to them as “investment” pieces that can be used and reused every year as seasonal decor items, as well as the fact that they can stay out all year long.
A new textural addition to any forest is the Snowy Branch Evergreens which are lightly dusted in white powder on the branches. This gives the impression of freshly fallen snow on our iconic trees. Enjoy the season!
Watch the video below.
The Bristol Collection originates from studying the “Golden Section” Proportions found in nature. Yet, no matter how refined the design or how forward-looking the concept, hand-crafting is required.
For the Bristol Collection, James Murray, Simon Pearce’s VP of Design, began with ideas for a flute and a tumbler that he carefully rendered on paper. After making numerous revisions, the process of manufacturing began, which required blowing, shaping, sculpting, cutting, trimming, molding, and cooling in our workshops, of Vermont and Maryland.
“For the Bristol Collection, we use old-world techniques and real, basic tools to make something that is decidedly modern,” says James.
Visitors to our workshops can witness the process.
In a Parisian pottery factory of the late 1800’s, two chemists made a mistake, causing colorful glaze crystals to form on the outside of their pots. The results were, at once, striking and hard to control. The potters at Simon Pearce have revisited this technique to create one of a kind, decorative vessels.
The time intensive and expensive process fell out of favor with the large pottery factories, but in the 1920’s, a resurgence in the production of this glaze technique occurred (due to independent potters setting up their own studios and producing pottery separate from large production).
Matt McFarland developed the glazes and the technique to allow the glazes to run down the entire ceramic form. The crystals are formed by a combination of added ingredients (mostly zinc oxide and silica) to float around on the glaze and cool slowly. The size of the crystals is determined by how long the minerals remain on the molasses-like glaze before it drops in temperature.
Only some shapes will adequately “hold” this type of glaze. The shape needs to orient itself in a way so, when the glaze is applied to the top rim of the vessel, the crystals form at the desired place on the piece. For this reason, many of the vessels are bulbous (that Mike Trempe throws), with a very narrow neck. Historically, this is known to create the most dramatic and aesthetically pleasing results.
Matt McFarland was instrumental in the first full line of crystalline products being launched at Simon Pearce, in the Spring of 2014. The introduction of these pieces brought a sparkle of color into the company owned stores. Today, the Simon Pearce crystalline assortment includes over a dozen different shapes in five different colors.
The story of crystalline is the story of how research into the history of the medium can inspire masters to create a new standard of excellence.