The Echo Lake Collection

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Upon, studying the water flowing over the waterfall at the mill and the ice that forms in the winter, we came up with these natural textures to capture in glass.

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The glass blowers use fine strands of molten glass that are quickly wrapped around these cylindrical shapes to create a watery and icy effect.

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As a beautiful series of winter hurricanes, the candlelight glows through the finer wrap texture in a way that is visually stunning.

We started with initial drawings but also worked closely with the glassblowing team, to arrive at the optimal amount of textural coverage. Each vessel turns out unique, and we embrace the irregularity that comes from the process of making them.

Watch the video of them being made below.

Perfectly, imperfect is a key characteristic of Echo Lake, and a hallmark of our ethos.

Tis the Season: Evergreens

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The Simon Pearce Vermont Evergreens have become iconic symbols that truly emphasize our brand originality and authenticity.

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They remain a true reflection of the design influences that surround us in our beautiful Vermont setting. Our crystal clear glass formula along with the hand-tooled forms capture the magic of a tree as if it were made of ice.

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They create conversation and certainly stimulates the imagination. No two are alike. As with trees in the natural world, the subtle differences give them a unique personality.

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Make a Magical Arrangement

It’s desirable to have them in groups which might inspire years of collecting and growing a forest. We refer to them as “investment” pieces that can be used and reused every year as seasonal decor items, as well as the fact that they can stay out all year long.

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A new textural addition to any forest is the Snowy Branch Evergreens which are lightly dusted in white powder on the branches. This gives the impression of freshly fallen snow on our iconic trees. Enjoy the season!

Watch the video below.

 

The Bristol Collection

The Bristol Collection originates from studying the “Golden Section” Proportions found in nature. Yet, no matter how refined the design or how forward-looking the concept, hand-crafting is required.

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For the Bristol Collection, James Murray, Simon Pearce’s VP of Design, began with ideas for a flute and a tumbler that he carefully rendered on paper. After making numerous revisions, the process of manufacturing began, which required blowing, shaping, sculpting, cutting, trimming, molding, and cooling in our workshops, of Vermont and Maryland.

“For the Bristol Collection, we use old-world techniques and real, basic tools to make something that is decidedly modern,” says James.

Visitors to our workshops can witness the process.

The Crystalline Collection

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In a Parisian pottery factory of the late 1800’s, two chemists made a mistake, causing colorful glaze crystals to form on the outside of their pots. The results were, at once, striking and hard to control. The potters at Simon Pearce have revisited this technique to create one of a kind, decorative vessels.

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PURE Crystalline Rose Teardrop Vase (Large and Small)

The time intensive and expensive process fell out of favor with the large pottery factories, but in the 1920’s, a resurgence in the production of this glaze technique occurred (due to independent potters setting up their own studios and producing pottery separate from large production).

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Matt McFarland with the “Jade” glaze he developed.

Matt McFarland developed the glazes and the technique to allow the glazes to run down the entire ceramic form. The crystals are formed by a combination of added ingredients (mostly zinc oxide and silica) to float around on the glaze and cool slowly. The size of the crystals is determined by how long the minerals remain on the molasses-like glaze before it drops in temperature.

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Mike Trempe throwing a Crystalline Teardrop Vase (Large).

Only some shapes will adequately “hold” this type of glaze. The shape needs to orient itself in a way so, when the glaze is applied to the top rim of the vessel, the crystals form at the desired place on the piece. For this reason, many of the vessels are bulbous (that Mike Trempe throws), with a very narrow neck. Historically, this is known to create the most dramatic and aesthetically pleasing results.

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Matt McFarland was instrumental in the first full line of crystalline products being launched at Simon Pearce, in the Spring of 2014. The introduction of these pieces brought a sparkle of color into the company owned stores. Today, the Simon Pearce crystalline assortment includes over a dozen different shapes in five different colors.

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The story of crystalline is the story of how research into the history of the medium can inspire masters to create a new standard of excellence.

Belmont 25th Anniversary

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Functionality and beauty have always been the core criteria of Simon’s design philosophy. The Belmont collection has stood the test of time, celebrating its 25th anniversary this year. It is a unique style of dinnerware that bridges the gap between a classic and causal aesthetic, that remains true to our brand heritage.

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It’s origins are from a passion for hand thrown pottery.  A blend of earthy materials and old world process that are also known for their durability. The central swirl motif on the plates accentuates the centrifugal movement of how the pieces are thrown on the wheel.

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Crackle glazes are enjoying a resurgence of interest, particularly with younger customers that appreciate handcrafted excellence,  and want to personalize their tabletop with a mix and match of pottery. Belmont comes in two crackle finishes, ivory and celadon, that work great together when layered in a place-setting.

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Commemorating the 25th anniversary, we launched a new centerpiece bowl magnificently scaled as both a functional and decorative piece.  The voluminous bowls express the simple richness of the Belmont pottery.

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Design Matters

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Growing up in a family of artisans, where aesthetics and attention to detail is a part of everyday life, each piece carries a story from the design origin to the act of handcrafting these artifacts. We’ve built success in designing and producing exceptional handmade glass and pottery for over 40 years.

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Design explores directions that stretch out the imagination and yet remain true to the brand heritage.  We push boundaries to express new forms and textures in our materials; the artisans have a muscle memory for making our products that typically bring new ideas back through a Simon Pearce lens.  We search for character, and then blend that with function, to turn out something that is beautiful.

We strive to inspire with handcrafted excellence. This is what we do every day…

The Woodbury Collection

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The Woodbury Collection, with its recognizable characteristics of simple, rectilinear forms; has become a favorite. Now, the first bowl has reached its 25th anniversary. Although the designs originated as a pursuit of geometry; they turned out with natural variances that are a result of the handmade process.

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Working on the concept, Simon originally wanted to get a vessel that was a sharper version of a square bowl, not looking for a machined look, but a natural rendition of a square bowl. Wood moulds were created and the R&D process was underway; but while doing a trial he found that the glass material had a mind of its own. The raw molten glass would not confirm to the sharp corners of the mould, and would turn out softer and more organic. The top rim of the walls were another unexpected outcome, they would naturally flare to create an arched detail on all four sides. This became a hallmark look for the Woodbury bowl, and shows us how you can have a natural outcome from the craft of making glass.

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Essential to the Simon Pearce line; and an aesthetic synonymous with the brand, the unique Woodbury bowl is a balance between a ideal concept and a sensitivity to what the material can do.

The bowl doubles as a great centerpiece and a useful item for everyday serving. It illustrates the qualities of our glass in its broad wall surfaces, and unique outline.

Woodbury Large Bowl

Watch the Woodbury Bowl being made: